Prague Concert Life, 1850-1881

Event title:

Sixth and last of six weekly musical soirées ['Soirée musicale'] given by members of the 'piano institute' [Music Institute] of Petr Maydl

Venue: Music Institute of Petr Maydl

Event type: Art music culture

Date: 16/04/1859 5pm

Season: Lent

Programme including:

General participants:
  • Music Institute of Petr Maydl: participating institution
  • unspecified participants: participating orchestra
  • BENNEWITZ, Antonín: instrumentalist, vl
arr. unspecified, ?: Overture to Spontini's opera Fernand Cortez , 4 pf
arr. unspecified, ?: Overture to Mendelssohn's incidental music Ein Sommernachtstraum , arr. 4pf
arr. unspecified, ?: unspecified polonaise of C.M. von Weber , 4 pf
arr. unspecified, ?: unspecified Rondo by Hummel , 4 pf
arr. unspecified, ?: H. Herz: unspecified Variations brillante , 4 pf
MENDELSSOHN-BARTHOLDY, Felix : Serenade and Allegro giocoso, pf, orch, B minor, op.43
PIXIS, Johann Peter : Rondeau brillante Les trois clochettes (Glöcken-Rondo), pf, orch, op.120
WEBER, Carl Maria von : Concerto for pianoforte and orchestra, pf, orch, nr.2, E-flat major, J155
CZERNY, Carl : Fantasie, vl, pf, physharmonica
RIES, Ferdinand : unspecified Sonata for clarinet and pianoforte, cl, pf
THALBERG, Sigismond : Fantasie on themes from Meyerbeer's opera Les Huguenots, pf, nr.2, op.43
CHOPIN, Fryderyck Franciszek : unspecified waltz, pf
MENDELSSOHN-BARTHOLDY, Felix : Spinnerlied The Bee's Wedding no.4 of Songs without words [Lieder ohne Worte], pf, C major, op.67
PRUDENT, Émile : Le Feu-follet Will o' the wisp no.6 of 6 Klavirstücke, pf, op.16
VOGEL, [Fr. A.?] : song Meine Mutter, v, [pf]
AMBROS, August Wilhelm : Clarinet Trio, pf, cl, vc
     • Pisařovic, Julius : cl

Commentary:

This was the last of six musical soirées given by Maydl’s Piano Institute. Details of the works to be performed on this occasion were published by Prager Morgenpost 16/4/1859. Given that no concerto for two pianos is extant within his compositional output, the ‘Concerto in Es für 2 Pianoforte’ by C.M. von Weber specified by this Morgenpost report was most likely his Second Piano Concerto in E-flat major, J155.

A general summary of the series of Soirée musicales given by Maydl’s Institute appeared in Prager Morgenpost 21/4/1859. This unsigned text commented that the surprising advances in piano playing achieved by the pupils of the school, attributed to the ‘excellent teaching method’ of Maydl, that had already been
displayed in the first four concert evenings were also evident in the final soirée. The review then provided an outline of the programme, noting that ‘We heard amongst other [works] the newest Trio for Piano, Clarinet and ’Cello of Ambros, a work, that in its deep and intelligent conception, in the skilfull and original writing and in the piquant application of the instrumental medium, the esteemed composer leaves nothing nothing to be desired, all the more so when the performance, as was this time, is so excellent.’ Attention was then drawn to ‘the effort of the very industrious Director of the Institute [Maydl] to procure a solid, complete orchestral accompaniment’, which performed in the works by Mendelssohn and Weber. The soloists, all apparently performing with ‘eminent bravura’ were listed as Misses Eggert [K. Eggertová], Finetti, Hofrichter [G. Hofrichterová], Karas [E. Karasová], Maninger [Maningrová], Mascha [Maschová], Slavik [Slavíková] and Tiapal [Tiapalová], Messrs Goschler, Mascha and Rihl [J. Rihl]. A ‘welcome change’, evidently referring to the incorporation of other than piano works in the programme, was made by the inclusion of songs by Mendelssohn and Vogel that were sung by Misses Finetti and Hofrichter [Hofrichtrová]. Also noted as performing in the concert were the Professors Pisařowitz [Pisařovic] and Bennewitz. Their specific rôles were not mentioned by the review, but almost certainly they appeared as clarinettist and violinist respectively, Pisařovic in the Trio by Ambros. ‘A very numerous and distinguished audience’ was reported as attending these soirées.


Summary of sources:

Prager Morgenpost (16/04/1859)
Prager Morgenpost (21/04/1859)
Dalibor, hudební časopis s měsíční notovou přílohou (01/05/1859)